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Autumn
-
10
External 27 September 2019 -
20
Lakeside 2 October 2019 -
30
Lakeside 2 October 2019 -
40
Fringe 7–8 October 2019 -
43
Unscripted 7 November 2019 -
47
External 10–11 November 2019 -
50
In House 13–16 November 2019 -
55
Chronic Insanity 17–18 November 2019 -
60
In House 20–23 November 2019 -
70
Fringe 24–25 November 2019 -
70
In House 27–30 November 2019 -
90
In House 4–7 December 2019 -
100
In House 10–13 December 2019
Spring
-
210
The Red Herrings 4–7 February 2020 -
220
Unscripted 11–14 February 2020 -
230This is Who I Am by Ice and Fire
Ice and Fire 17 February 2020 -
240
In House 26–29 February 2020 -
250
In House 5–8 March 2020 -
260
Fringe 9–10 March 2020 -
270
In House 11–14 March 2020 -
280
Fringe 16 March 2020 -
300
In House 20 March–20 May 2020 -
310
Fringe 20 March–20 May 2020 -
320
External 27–28 June 2020 -
330
Online 29–30 July 2020 -
340
Online 5 August 2020 -
370
Online 12 August 2020 -
380
Online 19 August 2020 -
390
Online 23 August 2020 -
400
Online 2 September 2020 -
410
Online 9 September 2020
Edinburgh
-
PresidentRohan Rakhit
-
SecretaryBoo Jackson
-
Treasurer (until November 2019)Jonathan Taylor Davies
-
Treasurer (from December 2019)Gabriella Teriaca
-
Front of House ManagerEllen Dennis
-
In-House CoordinatorEllie Roberts
-
Fringe Coordinator (until February 2020)Cameron Brett
-
Fringe Coordinator (from February 2020)Jack Titley
-
External Relations ManagerZoe Smith
-
Publicity ManagerCaitie Pardoe
-
Publicity ManagerJake Levy
-
Social and Fundraising CoordinatorTara Phillips
-
Theatre ManagerNadia Elalfi
-
Company Stage ManagerSophy Baxter
-
Company Technical Director (until December 2019)Luwa Adebanjo
-
Company Technical Director (from December 2019)Tara Anegada
-
Technical ManagerSkylar Turnbull Hurd
-
Company Master CarpenterBarney Hartwill
-
Costume, Props and Make-Up ManagerAlice Walker
-
Unscripted Coordinator and Engagement OfficerLillian Race
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Key Events
COVID
With the cancellation of all in-person theatre and the closure of many university and Students’ Union buildings, the theatre was forced to innovate and joined many other theatrical venues and companies by moving performances to an online format.